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Using that technique, you will become some kind of Avicii on steroids in an instant. All you need to do is export some of the tracks, like mandolin or double bass, or even some lead instrument, packing it like a sandwich in your DAW of choice (it could even be RealBand, a DAW that comes with Band in a Box) between your uber fancy four on the floor beats and your synths. Imagine that you set Band in a Box to the same tempo as your song, typing in the same chords as in your EDM electro song, then picking some crazy Real track style (like Bluegrass–you need to hear it to believe it. OK, so plenty for rock, jazz, country and similar “live” geeks and freaks, but is there much for electro, EDM, Dance musicians too? To tell the truth, even more than you think.
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There is an endless number of styles (from 400 in the Pro edition to 2,300 in all other packs), not many electro ones, but otherwise almost every other style you can imagine, such as jazz, salsa, rock, pop, country, blues, reggae, Hip Hop, R&B, even some techno.In addition you get a ton of various sub-styles. You can even define where fills should go, and then, using the style picker, find the exact musical style you want. In the main editing window, a kind of arrangement window where bars are sorted in a time-line, you can freely type names of chords, building your arrangement from bar to bar, adding as many chords as you like inside a bar or even just using one chord for several bars. But here’s the thing: with Band in a Box 2015 realization of that fantasy comes very, very close. At least that’s what rock folk think about electro musicians.
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It happens that when I tell people I’m a producer, an electro musician, they simply imagine that I sit in front of a computer telling the software what I want and the software just spits out the result. Can you imagine a tool where you can simply type in your harmonies, define which well-known instrumentalist will play a particular part, and after choosing a style by simply pressing the “Generate” button you get your song baked and served to perfection?

I don’t know when exactly they added those “Real tracks” integration, but with real instruments, professionally recorded in a big studio, and with even better musicians, renowned instrumentalists in their genre, this becomes a killer tool. But it looks as if things have dramatically changed over the decades. I bet that when you mention it to most people they have the same recollection. But with that corny pure MIDI sound emulation of real instruments it seemed to me more like a toy than a proper production tool. Some years ago I tried out an older version and I remember it as a fairly compelling and interesting program. It simply falls outside of our scope of interest.
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I have a great number of friends, professional musicians, and we can talk for hours about various musical tools, but we’ve never ever discussed Band in a Box.

Band in a Box 2015 is a very powerful and highly impressive tool with a zillion options and additions, but I can’t think of anyone I know who actually owns it. Well, it turns out that he might have been right. That was actually the first thing he said to me when I announced that I’d be reviewing this software. Our proofreader, Dave, an old and faithful user of Band in a Box, told me that this is probably one of the most underrated music programs in the music industry.

Band In a Box grew up and became very mature software, offering a whole new world of possibilities – and we all just missed the progress, thinking that it is still the old toy that we used to know.
